We are not trying to re-write the canon here, simply add to it. Bollywood disco, a vast industry but almost exclusively released in LP format, is one such casualty. Nu-disco or anything that could possibly fall under this category is therefore also out. In treading a different path you may also find that a few widely acclaimed superstars have had to make way for some lesser known gems, but every time have sought to make the case for inclusion. The instrumental is great ammunition for your disco blends. Name-dropping Gucci and Fiorucci, it was also incidentally one of the first tracks to feature brand names.
A more dubious legacy perhaps….
RIP Nick Ashford. They might be called The Whispers but nothing about these gentlemen is quiet.
Simplicity personified, let the hook take you there. An archetypal island disco get-down from the Trinidadian calypso and soca giant. Dubbed-out, downtempo bliss that took the sound to a new place completely. A guaranteed mid-tempo party starter. The band sets a groove that never lets up and Marvin, with his wicked falsetto vocals, rides like a pro surfer. Arranged by Brazilian disco don Lincoln Olivetti, whose sparring partner Robson Jorge contributes the guitar parts.
Midnight Express was Giorgio Moroder first score. Recently reissued by BBE, rags to riches afro-disco originator Kim Kwaku Obeng taught all the musicians in his band to follow his unique James Brown-meets-highlife sound, holding a tight groove for their hypnotic riffs and in-the-pocket-solos. Impossible to categorise, the funky dancefloor gem features the touch of Brazilian legend Airto on percussion. El Coco hand a hand in arranging Le Pamplemousse and you can hear the similarities. A funky dance floor hit, the percussive break down is one of the finest of the decade. Chic was an unstoppable disco force.
A stand-out track on punk-funk label Celluloid and a demanding dancefloor hit. A leftfield disco oddity that will leave you feeling like a champion. Spaced-out disco that survived the cull into obscurity, it stands out for the wild synth line that was way ahead of its time.
A slo-mo affair that typified some of the post-disco tendency to strip back the glamour in favour of simpler constructions. An island disco bomb rescued a few years back by Soundway, the calypso groove and cosmic phazer is a killer combination that practically opened the whole world to the joys of Caribbean space disco. Mythical stuff. Released by the legendary Vinylmania. Released in , both tracks, heavy with Afro-conscious lyrics about value and soul, are propelled by electro-funk throbs and squelches, pre-empting the rise of the machines in what remains some of the most invigorating dancefloor music ever made.
On her debut single, Lynn not only proved she had a cracking set of windpipes, but she also managed to pull off chart success in what is undoubtedly one of the defining tunes of the era. The former become a hit with Larry Levan, remixed on Nightdubbing the following year. Hammond stabs and tidal percussion carried this instrumental from DJ tool to peak time dance floor weapon. A slo-mo disco anthem with the most yearning string arrangement of the decade.
Patrice Rushen got her first record deal with the jazz label Prestige Records in , aged 20, releasing three albums on a fusion tip before moving over to Elektra to fully explore her funky side.
Its insanely funky, minimal proto-house percussion and sleazy, double-entendre lyrics — Is it all over my face? The perfect soundtrack for Saturday night on the floor, or for an acid trip indoors. Two tracks that prove Ron Hardy worked magic behind the decks and the reels. Pure fire. Philly Intl. Presumably licensing the track from Barclay who released the LP, Island Records are also represented by Wally Badarou who is credited on the sleeve. Original copies are extremely rare…. Ma-mako, ma-ma-sa, mako-mako ssa. This Philly classic regularly serviced the church of Garage.
An original edit pioneer, Hardy would tweak reel-to-reel tapes to extend breaks on disco tracks, maintaining pace on the floor and foreshadowing the birth of house. This single is going to change the sound of club music for the next fifteen years.vortexsport.ru/wp-content/319/331.php
Dreams Dictionaries Interpretations
A perfect example of the collector-hungry Discogs economy making a classic out of a cast-off. DJ Harvey says so.
The mighty calypsonian, Winston Bailey was Shadow, a cosmic reggae disco legend from Trinidad who cut a couple of serious synth-heavy bangers in the early eighties. He has even tried to stay awake as long as possible which, Marshall says, only works for several days before the body just shuts down. In that case, he claims he's then stuck at the cloning center even longer, while his body catches up on the lost hours of sleep. Marshall says that he has experimented by going to bed after taking alcohol or prescription medication, hoping that it might interfere with the consciousness transfer.
Marshall reports, however, that he was still brought to the cloning center anyway, feeling drugged or drunk, even though, strangely enough, the clone never consumed any drugs or alcohol. Once, Marshall even fashioned a hat out of tin foil, and wore it to sleep.
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He says he got hopeful after several days with no activation at the cloning center. However, later Marshall opened his eyes to find himself stuck there again, trapped in the clone zone, with all those in attendance enjoying a big laugh at his disappointment. They told him there was no way to block the transfer and that it was hopeless to even try. Some have asked Marshall why he can't just move somewhere far away, to which he explains that moving would be of no use as there is no distance limit to prevent the consciousness transfer.
He says they have told him at the cloning center that they will find him wherever he goes. Marshall claims that he could even move to Antarctica and they'd still activate him and bring him to the cloning center. Others have suggested that Marshall try prayer as a means to ask God for help. He says he tried praying many times as a kid stuck there, desperate to find a way out. They would just laugh, and then hurt him more, asking, "Where's your god now, Don?
Where he at? Some say that Marshall is just dreaming and that the experiences he describes are simply vivid dreams. Marshall replies that what he experiences at the cloning center feel nothing like a dream; the details are as clear as real-life experiences, and time passes as slowly as time passes in real life. What's more, when you wake up, it's not like remembering a dream, he says, but more like remembering the events from the previous day.
Two recently published scientific studies show that memories can indeed be blocked and even completely erased from conscious memory. The October issue of the journal Neutron published a study conducted by researchers at the UC Davis Center of Neuroscience and Department of Psychology where light was effectively used to track the specific nerve cells in the cortex and hippocampus that were activated in learning and memory retrieval and switch them off with light directed through a fiber-optic cable.
Known as Optogenetics, researchers were able to use this new technique to test a long-standing theory concerning how memories are formed and stored within the brain. Neuroscientists have long believed that learning is processed within the cerebral cortex of the brain, but retrieved again through the hippocampus.
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This small structure deep within the brain reproduces the memory upon retrieval, allowing for the event to be re-experienced again, and remembered. In cases where the hippocampus is damaged, researchers say, patients lose decades of memories, still stored within the brain, with no way to access them. Tanaka and Wiltgen demonstrated this by placing mice in a cage where they received a mild electric shock. Then, by switching off specific nerve cells in the hippocampus, the mice lost all memory of the unpleasant event and, when returned to the same cage, did not demonstrate any typical freeze or fear response, but instead nosed around the cage, eager to explore their new environment.
Another test published in the March issue of the scientific journal, Nature, set out to study not only how to block unpleasant memories stored within the brain, but also how to effectively erase them completely. Cornelius Gross, of the European Molecular Biology Laboratory in Italy, led a research team to study the way the brain erases memories as it creates new ones.
Gross' team first monitored the strength of the synapses within the brains of mice during different behaviors. A rapid loss of strength was found within the synapses, Gross reports, in that "it seems that within a day - a half hour even - [the mice] were losing everything they'd learned during the week.
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Gross hypothesized that blocking the synapses would be like "clamping a hose", in that the memories would still be there, but would no longer be accessible. Is it possible that the Illuminati have the technology to select which memories one is allowed to remember and which memories one will forget? According to Marshall, elite scientists have been manipulating memory for decades, and have the ability to turn on and off access to a memory with just the "push of a button". In this way, he claims that this top-secret technology allows them complete control of the brain, in that they can decide who remembers, what they remember and who never will.
Marshall maintains that this tech was perfected many decades ago, and has been utilized since to bring many to the cloning center for a variety of reasons. He says some are brought to be interrogated for passwords and professional secrets, while others are brought for to be tested to see whether they would make loyal Illuminati members. Some are simply brought to be used and abused for sport, which presents a disturbing thought as to just how many of the public have been transferred there in their sleep with no conscious memory?
If this is true, it would explain why Marshall was unable to access any memory of attending the cloning center for years, until the elite decided it was time to mechanically release these memories to his present consciousness. Marshall says that he was allowed to remember at the age of Over the course of several months, he was able to put together some of the missing pieces, although, he says it took years to understand the full extent of the technology involved.
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With his memories returning, Marshall says that he began to remember more about his double life, as an unwilling participant in top-secret scientific experiments held at the cloning center. He says that he began to recognize many of his family members there, and would sometimes see them sitting in the stands, with some participating, others just watching. He recognized his mother, brothers, step-father and his step-father's family, all there.
Marshall realized that his entire extended family was involved and that they all played a part in this, but at first, wasn't sure how.